Sour Mash/Mercury
Going Big requires a bit more than simply turning up the volume. This is something Noel Gallagher has long understood. Sure, with Oasis he had no problem churning out dozens of loud, raucous crowd-pleasing anthems, but during the majority of their live performances he was also just as likely to sway thousands armed with only a acoustic guitar and the strength of his songwriting. Few things rival the pleasure of singing along to a song penned by Noel Gallagher, and with his High Flying Birds, the joys continue. While “maturity” can be a slippery slope for many musicians, Noel seems to dodge a bullet stepping away from traditional rock band arrangements. Dabbling in an array of sounds not featured as heavily in his previous work: pedal steel guitar, choir, strings, horns, the album has a more atmospheric/psychedelic feel to it while still showcasing his knack for grand, sweeping tunes. It’s not a rock album by any stretch, more suitable for a “get-together” than a party, but if you’ve been following him since his band’s reigning days as the Kings of Britpop (yes, they were), chances are you’re older too and have the perspective to appreciate it. Having said that, with songs like “Everybody‘s On the Run,” “Stop the Clocks,” and most particularly “If I Had a Gun,” Oasis fans won’t have any need to retire their lighters just yet.
Tommy Salmon
for MovementMagazine.com
Monday, November 14, 2011
Monday, November 7, 2011
Lords Of Acid
Little Mighty Rabbit
Metropolis
Ten years of silence for this? You've got to be kidding me. With a sound pitched somewhere between My Life With The Thrill Kill Kult's cast-offs circa the "Dasiy Chain 4 Satan" sessions and, like, Kei$ha, "Little Mighty Rabbit" could be seen as a return to form, of sorts, but that form is unfortunately disposable Eurodisco cheez. You can almost guess how the song sounds without hearing it - female moaning in orgasmic delight? check! generic techno beat? check! distorted vocals? fucking check! - total formulaic disappointment.
Oddly, with rave about to make a comeback as the likes of Tiesto and Swedish House Mafia storm the charts and dudes like Skrillex take dubstep to the teens, with the right remixer this may very well be LOA's moment. Which reminds me, besides the three new numbers, "Little Mighy Rabbit" is padded out wtih no less than nine (!) remixes of the title song. And shame on KMFDM and Chris Vrenna for being two of those remixers.
Thumbs down.
Matthew Moyer
for MovementMagazine.com
Metropolis
Ten years of silence for this? You've got to be kidding me. With a sound pitched somewhere between My Life With The Thrill Kill Kult's cast-offs circa the "Dasiy Chain 4 Satan" sessions and, like, Kei$ha, "Little Mighty Rabbit" could be seen as a return to form, of sorts, but that form is unfortunately disposable Eurodisco cheez. You can almost guess how the song sounds without hearing it - female moaning in orgasmic delight? check! generic techno beat? check! distorted vocals? fucking check! - total formulaic disappointment.
Oddly, with rave about to make a comeback as the likes of Tiesto and Swedish House Mafia storm the charts and dudes like Skrillex take dubstep to the teens, with the right remixer this may very well be LOA's moment. Which reminds me, besides the three new numbers, "Little Mighy Rabbit" is padded out wtih no less than nine (!) remixes of the title song. And shame on KMFDM and Chris Vrenna for being two of those remixers.
Thumbs down.
Matthew Moyer
for MovementMagazine.com
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